Watching the Cop Show in Bed

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The Trust Project is a collaboration among news organizations around the world. Its goal is to create strategies that fulfill journalism’s basic pledge: to serve society with a truthful, intelligent and comprehensive account of ideas and events.

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Alexandra Oliver

Alexandra Oliver won the 2014 Pat Lowther Award for Meeting the Tormentors in Safeway.

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About The Walrus

Based in Toronto, The Walrus currently has a full-time editorial staff of fifteen, and we work with writers and artists across Canada and the world. Our masthead can be found here.

Ownership, Funding, and Grants

Ethics Policy

The Walrus is committed to reporting that is fair, accurate, complete, transparent, and independent.

Contributors or writers are contractually obligated to disclose practices that may deviate from the ethics policy of The Walrus to our editorial team.

Editorial Standards
The Walrus maintains a style guide, which is regularly reviewed and updated to reflect current conversations about culture and terminology.

For any situation not covered by this policy, we refer to the Ethics Guidelines of the Canadian Association of Journalists.

If you have any questions or comments, you can reach us at web@thewalrus.ca.

Diversity Statement

The Walrus is committed to employment equity and diversity.

Apparently, it’s very, very bad
to let a well-dressed man into your home.
An Oxbridge accent, coupled with the claim
your husband’s hurt, and he’s from Scotland Yard:
disaster! When the door clicks shut, he’ll drag
you off at knifepoint to his boat,
exsanguinate your body, write some smut
from Crowley on the walls, then eat your leg.

He’ll leave the rest of you inside a freezer,
to be discovered by a sad detective
bellowing, We made it here too late!

Too late indeed. I used to feel wiser,
more in charge, a little more creative.
Now, like the rest, I watch the door and wait.

This appeared in the July/August 2014 issue.