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Poetry

A black-and-white photo of Tom Wayman against a blue blackground
Poetry / September/October 2024

The Contagion in the Countryside: Train

October 10, 2024October 9, 2024 - by Tom Wayman

ominous, as if the cargo / constitutes a threat beyond “Hazardous Goods”

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A black-and-white photo of Al Moritz against a red backdrop
Poetry / September/October 2024

You Don’t Know

October 4, 2024October 3, 2024 - by A.F. Moritz

You don’t know. You never have gone anywhere, / they said. You have no travels.

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Black and white photo of Robyn Sarah on a purple background
Poetry / September/October 2024

A Festering

September 12, 2024September 11, 2024 - by Robyn Sarah

So it can all begin / again, from scratch.

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Watercolour illustration of a park with a pond and people reading books on a bench beneath a large weeping willow tree.
Fiction / July/August 2024 / Poetry

Summer Reading 2024

July 26, 2024August 19, 2024 - by Various Contributors

New fiction and poetry from Souvankham Thammavongsa, Bruce Taylor, and more

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Photo of Bruce Taylor
July/August 2024 / Poetry

Heartwood

July 26, 2024July 30, 2024 - by Bruce Taylor

It’s pleasant work, / I get to see the insides of some trees.

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Photo of Ellie Sawatzky
July/August 2024 / Poetry

Love Letter to My Recent Poems

July 26, 2024July 30, 2024 - by Ellie Sawatzky

I was trained to be secretive and lovely. I’m like / any mother, I love and hate you, and I want / to give you everything.

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Photo of Karen Solie
July/August 2024 / Poetry

Prime Location

July 26, 2024July 30, 2024 - by Karen Solie

And the owner will say it’s for the best, / he couldn’t give that place away.

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Richard greene in front of a yellow backdrop
June 2024 / Poetry

On the Use of the Sextant

June 13, 2024June 12, 2024 - by Richard Greene

In their wooden boats of spirit, the saints / saw little of God

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A photograph of the poet, a man with his chin in his hand and looking toward the right of the frame, against a periwinkle-blue background.
June 2024 / Poetry

Recess

June 7, 2024 - by David O'Meara

Beyond hopscotch chalked-out boxes, / gravel started, then a diamond

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Black and white photograph of Virginia Konchan against a purple background.
Poetry

Second Nature

May 31, 2024May 30, 2024 - by Virginia Konchan

What about my flower nature? / Chrysanthemum, peony, rose?

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© 2022 The Walrus. All Rights Reserved.
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© 2024 The Walrus. All Rights Reserved. Charitable Registration Number: No. 861851624-RR0001
Accessibility Help Privacy Policy Cookie Policy
© 2023 The Walrus. All Rights Reserved.
Charitable Registration Number: No. 861851624-RR0001

​​The Walrus is located within the bounds of Treaty 13 signed with the Mississaugas of the Credit. This land is also the traditional territory of the Anishnabeg, the Haudenosaunee, and the Wendat peoples.

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Hey, thank you for reading!

Before you go, did you know that The Walrus is a registered charity? We rely on donations and support from readers like you to keep our journalism independent and freely available online.

If you’d like to ensure we continue creating stories that matter to you, with a level of accuracy you can trust, please consider becoming a supporter of The Walrus. I know it’s tough out there with inflation and rising costs, but good journalism affects us as well, so I don’t ask this lightly.

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Senior Editor, The Walrus

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Recently, my story, titled “AI Is a False God,” appeared on the cover of The Walrus. It was the type of piece that could have found a home only in The Walrus. As Canadian media continues to face some of the most serious challenges in recent decades, venues for thoughtful, well-researched long-form writing have all but disappeared.

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Enjoying The Walrus?
Thoughtful writing like this has a home because of readers like you.

Recently, my story, titled “AI Is a False God,” appeared on the cover of The Walrus. It was the type of piece that could have found a home only in The Walrus. As Canadian media continues to face some of the most serious challenges in recent decades, venues for thoughtful, well-researched long-form writing have all but disappeared.

As public discourse is often short-circuited and distorted by the incentives of social media, the need for smart, informed media is clearer than ever. That’s why supporting independent media is so important. A donation to The Walrus ensures that thewalrus.ca can continue to be a freely accessible place that Canadians can turn to in order to make sense of fraught moments—one that offers stories like mine which dig deeper to provide the context and complexity so often missing from contemporary discussions.

Navneet Alang
Writer and cultural critic

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