Dying in Winnipeg

Don’t read me wrong— I plan on dying in Winnipeg In a strange way I posit Winnipeg is where everything always dies: Grandfathers, clock radios, Chevrolets faith, journalists, fine-tip pens …

Don’t read me wrong—
I plan on dying in Winnipeg

In a strange way I
posit Winnipeg is where everything always dies:

Grandfathers, clock radios, Chevrolets
faith, journalists, fine-tip pens

Earle Nelson, hockey dads
your best friend from the old street…

I will let the rush-hour dust or the blowing
snow or the dance-hall fumes fill my lungs

I will simply wait, let my side-splitting body
fail under the flattering lights in the hallway

Of the underfunded Concordia Hospital
and don’t dream of visiting

But listen, there’s a show tonight
at the legion hall

And I have half a liver left and
a hatchback with a quarter tank

I’m not hard to be had

This appeared in the October 2010 issue.

Jon Paul Fiorentino
Mariah Burton
Mariah Burton illustrated Somewhere Where Nobody Knows (2010), a children’s book.

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Jennifer Hollett I have been devouring The Walrus's Summer Reading issue and remarking on the quality of all of the contributions from our former and current Fellows. It reminds me that every issue of The Walrus is a culmination of the efforts (including lengthy fact-checking) of the editorial team, the emerging journalists they train, and the generous supporters who make all of this happen.

Through The Walrus Editorial Fellowship Program, we have the privilege of training the next generation of professionals who are passionate about the integrity of journalism. In the Summer Reading issue, 2021 Cannonbury Fellow Connor Garel wrote a piece on Frankie Perez and the art of breaking. Tajja Isen contributed an excerpt from her first book, Some of My Best Friends. Isen, who also began her career at The Walrus as a Cannonbury Fellow, is currently Editor-in-Chief at Catapult magazine.

Our 2022 Chawkers Fellow, Mashal Butt, was instrumental in making sure we got the facts straight in our Summer Reading issue, having fact-checked six features, including Sarah Totton’s short story “The Click.” And in our September/October issue, you can read a cover story on housing affordability by our 2022 Justice Fund Writer in Residence, Julia-Simone Rutgers. (Rutgers is now a climate reporter for The Narwhal.)

Donations of any amount (great or small) mean that we can keep on training future journalists in the rigorous practice of fact-checking and editing. With your support, we can continue to keep The Walrus available to readers everywhere as well as help build the next generation of reporters, copy-editors, fact-checkers, and editors.

With gratitude,

Jennifer Hollett
Executive Director, The Walrus