There is no better measure of genius than surviving in the Arctic with technology carved from ivory and bone
- by Wade DavisWade Davis Updated 20:38, Oct. 23, 2019 | Published 11:01, Oct. 24, 2016This article was published over a year ago. Some information may no longer be current.
An Inuk hunter from Igloolik camps a hundred miles out on the sea ice on a day that would see temperatures fall to minus 65 degrees Celsius. On the horizon, islands, ice and sky meld one into the other and the black sea is a distant mirage. But the Inuit seldom lose their way. In driving snowstorms they watch for patterns in the ice, small ridges of hard snow that are formed by the prevailing winds and reveal where they are. They study a map of the land reflected on the underside of low clouds. This hunter was out all night. He returned in the morning trailing the carcass of a polar bear on his sled.
When the Inuit first encountered Europeans, they believed their wooden ships with billowing sails were gods. The British believed the Inuit were savages. Both were wrong. The British failed to understand that there was no better measure of genius than the ability to survive in the Arctic environment with a technology that was limited to what you could carve from ivory and bone, antler and animal skins, soapstone, slate, and small bits of wood that drifted to shore as flotsam. The Inuit did not fear the cold; they took advantage of it. The runners of sleds were originally made from fish—three Arctic char laid in a row, wrapped in caribou hide and frozen. A knife could be made from human excrement. A moist skin left overnight became a shovel by dawn.
The Inuit are a people of the ice. As hunters they depend on it for their survival even as it inspires the essence of their character and culture. The writer Gretel Ehrlich, who lived eight years among the Polar Eskimo in Greenland, suggests that it is the nature of ice, the way it moves, recedes, dissolves, and reforms with the seasons, that gives such flexibility to the Inuit heart and spirit. “They have no illusions of permanence,” she explains. “There is no time for regret. Despair is a sin against the imagination. Their grocery store is out there on the land and this creates an emotional life that’s so much bigger than that of those who live in cities. They deal with death every day. To live they must kill the things they most love. Blood on ice is not a sign of death but an affirmation of life. Eating meat becomes a sacramental experience.”
Wade Davis holds the Leadership Chair in Cultures and Ecosystems at Risk at the University of British Columbia. His award-winning books include Into the Silence and The Wayfinders. His new book, Magdalena: River of Dreams, is published by Knopf Canada.
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