March/April 2025 | The Walrus
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March/April 2025

An illustration of a tabletop with a knife on the left side, a person's hands on the right, and a mug in between. The knife is vertical with a "press" fedora ha on the top of the handle. The knife stabs a pile of papers in place. The person's hand on the right is holding a mug.
March/April 2025

Do Journalists Traffic in Duplicity?

May 23, 2025May 29, 2025 - by Carmine Starnino

Writers can bring clarity to a complicated situation without giving up their independence—or empathy

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Letters / March/April 2025

Letters to the Editor: March/April 2025

May 21, 2025May 21, 2025 - by Readers

Family histories, fantasies, and a bad fit

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A black-and-white portrait of Pierre Nepveu with a blue background
March/April 2025 / Poetry

Leaving

May 15, 2025May 14, 2025 - by Pierre Nepveu

the driver is waiting for me to come out, / for me to open the door and sit

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An illustration featuring a window above a subway seat with a plant and a small cafe table next to it.
Arts & Culture / March/April 2025

My Guilty Pleasure: The Peace of a Long Commute

April 18, 2025April 18, 2025 - by Carine Abouseif

There are no dishes to put away, no tiny toddler socks to match, and no family calendar to organize

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A black-and-white portrait of Sue SInclair against a red background
March/April 2025 / Poetry

Darlings

April 10, 2025April 10, 2025 - by Sue Sinclair

They’re tall, they’re overdressed

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The poet, Nyla Matuk, stares up toward the right corner of the frame. She has dark hair and wears a dark jacket. The background is periwinkle blue.
March/April 2025 / Poetry

March on the St. Lawrence

April 3, 2025April 3, 2025 - by Nyla Matuk

All night the ice cutter and a wandering ship / dispersed local terrazzo marble like bachelors at a stag

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An illustration in dark greens, blues and burgundy of a woman looking up at a house.
Fiction / March/April 2025

Forest Hill Gothic

March 13, 2025March 12, 2025 - by Cassidy McFadzean

I watched as a wrinkled hand reached out of the basement window

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In a photo, a woman in a dark purple dress holds up a mirror to another mirror, so that the smaller mirror and her reflection appear an additional two times.
Books / March/April 2025

Can Rayne Fisher-Quann Shift from Internet Princess to Bestselling Author?

February 5, 2025February 20, 2025 - by Ariella Garmaise

The publishing industry is hinging its hopes on a twenty-three-year-old with a Substack and a devout following. Can she deliver?

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An illustration of a man in a suit and tie, with a number of shadowy figures behind him, with a mass of people tinged in red and purple looking towards him.
Current Affairs / March/April 2025

“Guaranteed Jobs” That Don’t Exist: The Dark World of Immigration Consultants

January 29, 2025January 29, 2025 - by Adnan R. Khan

Canada has an insatiable demand for cheap labour. Workers are being lured here with schemes and lies

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In a photo illustration, a man wearing a suit holds up a child in a black-and white photograph. The background is made up of scraps of documents, some handwritten, others typed.
March/April 2025 / Memoir

Nazi Persecution Scattered My Family. A Lost Archive Brought Us Together

January 27, 2025January 28, 2025 - by Timothy Taylor

How 10,000 pages of documents sent me on a journey through Germany’s dark past

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March/April 2025
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The July/August 2025 cover of The Walrus magazine featuring an image of a woman reading a book while listening to music. She is sitting in a room filled with plants that also has a window through which a city skyline can be seen. July/August 2025

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The Walrus is located within the bounds of Treaty 13 signed with the Mississaugas of the Credit. This land is also the traditional territory of the Anishnabeg, the Haudenosaunee, and the Wendat peoples.

© 2025 The Walrus. All Rights Reserved.
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© 2025 The Walrus. All Rights Reserved. Charitable Registration Number: No. 861851624-RR0001
Accessibility Help Privacy Policy Cookie Policy
© 2023 The Walrus. All Rights Reserved.
Charitable Registration Number: No. 861851624-RR0001

​​The Walrus is located within the bounds of Treaty 13 signed with the Mississaugas of the Credit. This land is also the traditional territory of the Anishnabeg, the Haudenosaunee, and the Wendat peoples.

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How’s The Walrus?

As the executive director, I am frequently asked this question. These days, I reply: “The Walrus was made for this moment.” From on-again, off-again trade news and negotiations to a new prime minister, we are committed to Canada’s conversations. We launched six regional bureaus earlier this year to ensure comprehensive coverage across this great country of ours. But we can’t do this alone. As a non-profit newsroom, this work isn’t possible without our readers’ support. If you believe in Canada’s stories, support our paywall-free journalism with a donation today.

Our team is small, but our commitment is big; just like our country. Every story we publish is the result of writers, artists, and editors going the extra mile (well, kilometres) to bring Canada closer together through compelling, fact-checked, and regionally grounded reporting.

Thank you for your support.

Jennifer Hollett
Executive Director, The Walrus


How’s The Walrus?

As the executive director, I am frequently asked this question. These days, I reply: “The Walrus was made for this moment.” From on-again, off-again trade news and negotiations to a new prime minister, we are committed to Canada’s conversations. We launched six regional bureaus earlier this year to ensure comprehensive coverage across this great country of ours. But we can’t do this alone. As a non-profit newsroom, this work isn’t possible without our readers’ support. If you believe in Canada’s stories, support our paywall-free journalism with a donation today.

Our team is small, but our commitment is big; just like our country. Every story we publish is the result of writers, artists, and editors going the extra mile (well, kilometres) to bring Canada closer together through compelling, fact-checked, and regionally grounded reporting.

Thank you for your support.

Jennifer Hollett
Executive Director, The Walrus

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