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Connor Garel

Connor Garel is a contributing writer at The Walrus.
An illustrated portrait of Brontez Purnell, largely in brown, black, yellow, and bronze
Books

Breaking the Rules of Gay Fiction, One Riotous Page at a Time

January 24, 2025January 23, 2025 - by Connor Garel

Brontez Purnell’s work burns with a frantic blend of lyricism and lewdness, desire and disgust

Read More
A close-up photo of Jeffrey Wright, wearing a grey suit, black tie, and worried expression, in the movie American Fiction.
Arts & Culture

What’s Lost in the Quest for Black Authenticity

April 4, 2024April 5, 2024 - by Connor Garel

The media’s appetite for “gritty” Black stories turns misery into entertainment

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Photo of a rectangular metal plaque with central raised human figure on background of dots and flowers.
Arts & Culture / January/February 2024

What Should Canadian Museums Do about Their Stolen African Art?

January 8, 2024January 12, 2024 - by Connor Garel

Repatriation efforts were stymied for decades. But the problem can no longer be stalled

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Painting of a girl with long brown hair, facing away from the viewer, swimming in a lake. Trees and vegetation are reflected in the rippled surface of the water.
Arts & Culture / July/August 2023

In Vicki Smith’s Dreamlike Paintings, Women Court Peace in Pools and Lakes

August 30, 2023August 30, 2023 - by Connor Garel

She paints in total silence in an effort to achieve the same meditative state of her subjects

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An illustration of M. NourbeSe Philip
Arts & Culture / November 2022

Why This Poet Declared War on Her Own Book

October 27, 2022October 27, 2022 - by Connor Garel

When M. NourbeSe Philip’s work on a slave ship massacre was translated without her consent, she didn’t recognize it anymore. Who ultimately owns the stories we tell?

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Photo of a Black man with dreadlocks breakdancing, blurred in motion, with a sunset in the background.
Arts & Culture / July/August 2022

Breaking Through: One Photographer’s Mission to Capture Hip Hop’s Underground Roots

August 12, 2022June 21, 2024 - by Connor Garel

Breakdancing is now an Olympic sport. But Frankie Perez wants to show the world that breaking still thrives in the streets

Read More
Two Black men stand in a harvested field under a cloudy sky. They are dressed in football uniforms printed with colourful African ­textiles. They are standing apart and facing away from each other, attached by a set of chains on their backs.
September/October 2021

Artist Esmaa Mohamoud Examines How Pro Sports Profit from Black Athletes

July 9, 2021January 30, 2022 - by Connor Garel

Sports bring people together in living rooms, in crowded bars, and in the streets. Mohamoud seeks to expose the monstrous underbelly of all that winning

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November/December 2020

William Ukoh Photographs a World of Leisure and Black Beauty

October 29, 2020January 30, 2022 - by Connor Garel

For the artist, rest and relaxation aren’t just aesthetics—they are where freedom is found

Read More

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The July/August 2025 cover of The Walrus magazine featuring an image of a woman reading a book while listening to music. She is sitting in a room filled with plants that also has a window through which a city skyline can be seen. July/August 2025

Explore how tariffs are testing ties between Northern neighbours, the death of the middle class musician, Afghanistan’s lost generation, and more.
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The Walrus is located within the bounds of Treaty 13 signed with the Mississaugas of the Credit. This land is also the traditional territory of the Anishnabeg, the Haudenosaunee, and the Wendat peoples.

© 2025 The Walrus. All Rights Reserved.
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© 2025 The Walrus. All Rights Reserved. Charitable Registration Number: No. 861851624-RR0001
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© 2023 The Walrus. All Rights Reserved.
Charitable Registration Number: No. 861851624-RR0001

​​The Walrus is located within the bounds of Treaty 13 signed with the Mississaugas of the Credit. This land is also the traditional territory of the Anishnabeg, the Haudenosaunee, and the Wendat peoples.

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As the executive director, I am frequently asked this question. These days, I reply: “The Walrus was made for this moment.” From on-again, off-again trade news and negotiations to a new prime minister, we are committed to Canada’s conversations. We launched six regional bureaus earlier this year to ensure comprehensive coverage across this great country of ours. But we can’t do this alone. As a non-profit newsroom, this work isn’t possible without our readers’ support. If you believe in Canada’s stories, support our paywall-free journalism with a donation today.

Our team is small, but our commitment is big; just like our country. Every story we publish is the result of writers, artists, and editors going the extra mile (well, kilometres) to bring Canada closer together through compelling, fact-checked, and regionally grounded reporting.

Thank you for your support.

Jennifer Hollett
Executive Director, The Walrus


How’s The Walrus?

As the executive director, I am frequently asked this question. These days, I reply: “The Walrus was made for this moment.” From on-again, off-again trade news and negotiations to a new prime minister, we are committed to Canada’s conversations. We launched six regional bureaus earlier this year to ensure comprehensive coverage across this great country of ours. But we can’t do this alone. As a non-profit newsroom, this work isn’t possible without our readers’ support. If you believe in Canada’s stories, support our paywall-free journalism with a donation today.

Our team is small, but our commitment is big; just like our country. Every story we publish is the result of writers, artists, and editors going the extra mile (well, kilometres) to bring Canada closer together through compelling, fact-checked, and regionally grounded reporting.

Thank you for your support.

Jennifer Hollett
Executive Director, The Walrus

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