Looking Ahead to 2021

Four illustrators share their hopes for themselves and the world

An illustration of the road from prisons to freedom. At the bottom is guards, fences, police cards. As the people make their way to the top of the road, locks on their wrists begin to be cut off and they are released freely into an open field

Serenity by blackpowerbarbie

My hopes for 2021 are lofty. I want to visit a water park with my loved ones. I want to share space with strangers whose proximity I’m not gravely afraid of. I want to stand in a long line and laugh moistly over funnel cake. I want to float on the lazy river in the beating heat, ­unbothered by whose child might be peeing in the water because we’re all there to relax and have a good time together.

Home by Jonathan Dyck

I grew up in southern Manitoba, and all I saw in front of me was gridded farmland. But spending so much time close to home is changing the way I think about the Prairies. I’ve hiked old trails, visited ghost towns, and learned about the trading sites that shaped this area before the Canadian government sent in its survey crews. I’m noticing the variations across farmers’ fields beyond their respective crops: the covered-over creek beds, the persistent patches of forest and scrub. And I’ve been bringing along my binoculars to keep track of the birds. I’m looking forward to my first full year of migration cycles.

Activism by Maya McKibbin

In 2020, as many of us were locked down due to the pandemic, we spent time reflecting on the inequalities around us. As citizens of one of the globe’s wealthiest nations, we can fight for ­accountability. In June, amid a flurry of COVID-19 headlines, Alberta passed a bill that would see Indigenous land defenders fined or jailed if they block infrastructure such as railways and pipelines while protecting their own territories. In 2021, I hope we can hold governments accountable by staying informed and ­politically ­active, giving directly to community members, and continuing to learn from one another.

Justice by Dalbert B. Vilarino

Like many people this past year, I’ve been thinking about policing and prisons. My hope for the future is that these institutions will be abolished and reimagined in ways that prioritize the wellbeing of marginalized and racialized people. This would be radical, but these systems are intractably and intrinsically violent, racist, and nonrehabilitative. I dream of a society that instead invests in creating ­vibrant, healthy, and safe communities.

The Walrus Staff
Blackpowerbarbie is an illustrator, animator, and director.
Jonathan Dyck
Jonathan Dyck is an illustrator living in Winnipeg. His work has appeared in the Literary Review of Canada and Alberta Views.
Maya McKibbin
Maya McKibbin is a two-spirited Ojibwe, Yoeme, and Irish filmmaker, illustrator, and storyteller.
Dalbert B. Vilarino
Dalbert B. Vilarino is a freelance editorial and conceptual illustrator based in Toronto. His work has appeared in the New York Times, the Wall Street Journal, and Wired.

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Jennifer Hollett I have been digging into the pages of The Walrus Summer Reading issue and remarking at all of the contributions from our former and current Fellows. It reminds me that every issue of The Walrus is a result of a culmination of efforts (including lengthy fact-checking) from the editorial team, the emerging journalists they train, and the generous supporters who make all of this happen.

Through The Walrus Editorial Fellowship Program, we have the privilege of training the next generation of professionals who are passionate about the integrity of journalism. In the Summer Reading issue, 2021 Cannonbury Fellow Connor Garel wrote a piece on Frankie Perez and the art of breaking. Tajja Isen contributed an excerpt from her first book, Some of my Best Friends. Isen, who also began her career at The Walrus as a Cannonbury Fellow, is currently Editor-in-Chief at Catapult magazine.

Our 2022 Chawkers Fellow, Mashal Butt, was instrumental in making sure we got the facts straight in our Summer Reading issue, having fact-checked six features, including Sarah Totton’s short story “The Click.” And, you can look forward to a cover story on housing affordability by our 2022 Justice Fund Writer in Residence, JS Rutgers. (Rutgers is now a climate reporter for The Narwhal.)

Donations of any amount (great or small) mean that we can keep on training future journalists in the rigorous practice of fact-checking and editing. With your support, we can continue to keep The Walrus available to readers everywhere as well as help foster the next generation of reporters, copy-editors, fact-checkers, and editors.

With gratitude,

Jennifer Hollett
Executive Director, The Walrus