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Josée Drouin-Brisebois
Josée Drouin-Brisebois is a senior curator responsible for Canadian and international contemporary art at the National Gallery of Canada. She managed Canada’s role in two Venice Biennale exhibitions: Shary Boyle’s Music for Silence and Steven Shearer’s Exhume to Consume. Josée also co-curated A Moving Image and Misled by Nature: Contemporary Art and the Baroque at the Art Gallery of Alberta, as well as Spectral Landscape and The Shape of Things at the Museum of Contemporary Canadian Art.
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Hey, thank you for reading! We hope you enjoyed this story.
Before you go, did you know that The Walrus is a registered charity? We rely on donations and support from readers like you to keep our journalism independent and freely available online. Will you join us in keeping independent journalism free and available to all?
Before you go, did you know that The Walrus is a registered charity? We rely on donations and support from readers like you to keep our journalism independent and freely available online.
When you donate to The Walrus, you’re helping writers, editors, and artists produce stories like the ones you’ve just read. Every story is meticulously researched, written, and edited, before undergoing a rigorous fact-checking process. These stories take time, but they’re worth the effort, because you leave our site better informed about Canada and its people.
If you’d like to ensure we continue creating stories that matter to you, with a level of accuracy you can trust, please consider becoming a supporter of The Walrus. I know it’s tough out there with inflation and rising costs, but good journalism affects us as well, so I don’t ask this lightly.
Will you join us in keeping independent journalism free and available to all?
Claire Cooper Managing Editor, The Walrus
Hey, thank you for reading! We hope you enjoyed this story.
Before you go, did you know that The Walrus is a registered charity? We rely on donations and support from readers like you to keep our journalism independent and freely available online. Will you join us in keeping independent journalism free and available to all?